The F. Bruce Peck Jr. Music Library at Classical Music Indy contains a wealth of classical recordings, many what you would expect – Beethoven, Bach, Brahms. We are also thrilled to house a number of albums that feature works by outstanding women composers like Clara Schumann, Nadia Boulanger, Valerie Coleman, and Jennifer Higdon. See what music is in our library and why we love it!
Tag: Women In Music
Margaret Allison Bonds is an often-unsung master of classical music. Her first-rate works blend styles of African and European origin, and her compositions for voice and piano have profoundly moved audiences. Bonds is best known for her collaborations with the great African American poet Langston Hughes. Read below about Bonds’ life, career, and musical contributions to the American classical music world.
This week, we kick off Women’s History Month by putting two fantastic musicians in the spotlight: Teresa Carreño, “Valkyrie of the Piano,” and Ethel Smyth, Dame Commander of the Order of the British Empire. These amazing women composed, conducted, and performed all around the globe and made dynamic contributions to the classical music world. Read below about their unique voices and careers.
Indianapolis has a robust local classical music scene, worthy of being treasured as one of our city’s defining assets. And with NOTE, Classical Music Indy aims to tell stories that will delight and surprise avid classical fans, as well as welcome those new to the world of classical music. For this first issue, we chose to feature Women in Music, to celebrate local influencers past and present that have made stunning accomplishments not only with their talent, but also with their leadership in the genre.
For musicians, dealing with a chronic illness can mean the end of their career. This is the story of singer Margaret Felice, a Boston vocalist whose illness caused her to lose her breath mid-performance. After major surgery and a painful healing process, Margaret was able to overcome her difficulties and come out on the other side.