Program Type: Engagement
The F. Bruce Peck Jr. Music Library at Classical Music Indy contains a wealth of classical recordings, many what you would expect – Beethoven, Bach, Brahms. We are also thrilled to house a number of albums that feature works by outstanding women composers like Clara Schumann, Nadia Boulanger, Valerie Coleman, and Jennifer Higdon. See what music is in our library and why we love it!
After besting over 130 applica …
My Music. My Story. is one of Classical Music Indy’s initiatives to feature music, musicians, and music lovers in a fun way. This week we talked with cellist Maya Nojiri Sutherland who regularly performs with Classical Music Indy. She moved to the US to continue her music education and is currently pursuing her PhD at Indiana University Bloomington. Read Maya’s thoughts on music, life, and community below.
My Music. My Story. Kim Kenny. …
This week our friend John Alvarado, Lecturer of Guitar at IUPUI and President of the Indianapolis Society of the Classical Guitar, discusses the presumed dichotomy of classical guitar vs electric guitar in the musical community. Read below to learn how these two genres don’t need to be separated as much as some may think.
Rhythm! Discovery Center is the creative vision of the Percussive Arts Society. Described as “the world’s first fully-interactive drum and percussion museum,” Rhythm! Discovery Center takes an innovative approach to experiencing the universality of rhythm and percussion. We spoke with Joshua Simonds, Executive Director of the Percussive Arts Society and Rhythm! Discovery Center, to learn more about this unique institution in Indianapolis.
It was so beautiful that I actually started singing to myself! I am really impressed! I felt a lot of peace when you were performing.
Hanna Benn’s exploration of wh …
In recognition of Jewish American Heritage Month in May, we hope you enjoy this light-hearted look at Leonard Bernstein by one of NOTE’s newest contributors – Philadelphia-based writer, Michael Silverstein.
For our first blog post during Black History Month, we wanted to take a look at a time in American history when the simple act of attending a classical music concert was prohibited for people of color. Renowned African-American opera baritone Robert Honeysucker, who unexpectedly died in 2017, was a student at Tougaloo College in 1963 when he decided to attend a whites-only concert in Jackson, Mississippi. His actions and the many other brave protests of the Civil Rights Movement helped to shed light on the issue of racial prejudice, but how far has classical music really come today?
We’ve asked composer Dr. Scott Perkins to write about his experience overseas exploring Silesia, where famed composer Olivier Messiaen was a prisoner of war during World War II. Dr. Perkins writes how Nazi guards encouraged Messiaen’s continued music-making once they realized his stature. Crowds of prisoners and Nazi guards gathered to listen to performances. Messiaen found some semblance of freedom despite the captivity. He continued communicating in the language he knew best – his music.
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