It’s not fake news, it’s very real. This Month in Classical Music History is a series dedicated to finding stories of the good, the bad, and the downright weird. In this article, read about a Beethoven historian who blatantly made things up, the NY Phil’s Young People’s Concerts under Leonard Bernstein, and a scandalous dance scene from an opera that was so seductive, all subsequent performances were cancelled.
Program Type: Engagement
Classical Revolution: Casual Classical Night Eric Salazar, clarinet, and Joshua Thompson, piano Where can you go to hear classical music jam sessions? On the first Tuesday of every month, freelance musicians and members of the Indianapolis Symphony Orc …
My Music. My Story. is one of Classical Music Indy’s initiatives to feature music, musicians, and music lovers in a fun way. This week we spoke with Caitlin Negron, modern dancer with Dance Kaleidescope and co-founder of Indy Convergence. Caitlin talks …
Last year while developing our summer issue of NOTE magazine, we discovered that Paul Page was one of the first radio hosts for WAIV, the Indianapolis station that first broadcast Classical Music Indy (formerly the Fine Arts Society of Indianapolis). The 100th Running of the Indianapolis 500 in 2016 was Paul’s final year announcing the race before retiring. This article, that ran in NOTE in May 2016, is a tribute to his amazing life and legacy. Guest contributor, Jill Ditmire, talked to Paul about his life and what led him from classical music radio to the Indianapolis Motor Speedway and a broadcasting career spanning more than 46 years. Enjoy learning about Paul Page – the Voice of the Indy 500!
It’s not fake news, it’s very real. This Month in Classical Music History is a series dedicated to finding stories of the good, the bad, and the downright weird. For December read about Handel fighting his best friend in a duel, an atonal composer thought to be a Nazi sympathizer, and one of Indiana’s own Jazz legends.
Solving Senior Isolation Giving back to those who’ve provided so much to younger generations, the Senior Concert Series focuses on senior living facilities in under-resourced communities and provides opportunities for peer-to-peer music enjoyment and s …
My Music. My Story. is one of Classical Music Indy’s initiatives to feature music, musicians, and music lovers in a fun way. This week we spoke with Marianne Chalmers-Talkovski, a licensed acupuncturist, about the importance of music in her life and in her work.
This Black History Month, we take a look at two dynamic musicians of African descent and a modern organization that is spearheading a more diverse future. Read below about the French composer who led the best orchestra in Paris, the American opera star who stunned audiences with her voice, and an organization that is creating positive change on a national scale.
We’ve asked composer Dr. Scott Perkins to write about his experience overseas exploring Silesia, where famed composer Olivier Messiaen was a prisoner of war during World War II. Dr. Perkins writes how Nazi guards encouraged Messiaen’s continued music-making once they realized his stature. Crowds of prisoners and Nazi guards gathered to listen to performances. Messiaen found some semblance of freedom despite the captivity. He continued communicating in the language he knew best – his music.
For this week’s blog feature, we talked to Justin Wade, Executive Artistic Director of Young Actors Theatre, about their mission and approach to Self-Empowerment Theatre, and the role music plays in their productions. Young Actors Theatre will open two shows this weekend: Sleeping Beauty, and Twelve Dancing Princesses, at The Toby at the Indianapolis Museum of Art at Newfields.
For our first blog post during Black History Month, we wanted to take a look at a time in American history when the simple act of attending a classical music concert was prohibited for people of color. Renowned African-American opera baritone Robert Honeysucker, who unexpectedly died in 2017, was a student at Tougaloo College in 1963 when he decided to attend a whites-only concert in Jackson, Mississippi. His actions and the many other brave protests of the Civil Rights Movement helped to shed light on the issue of racial prejudice, but how far has classical music really come today?
I don’t play music, but I sure love listening.
It was so beautiful that I actually started singing to myself! I am really impressed! I felt a lot of peace when you were performing.
In honor of Women’s History Month, we asked Lauren Kapalka Richerme, Assistant Professor of Music Education at Indiana University Jacobs School of Music, to profile two female innovators in the field of Music Education. Read below about Francis Elliot Clark and Patricia Shehan Campbell, two women who have had profound influence on the lives of children and the promotion of music as a key to educational success.
Classical music is rich with history of magnificent music, compelling divas, and innovative composers. Not every world premiere was grand, however. This Month in Classical Music History is a series dedicated to finding stories of the good, the bad, and the downright weird. This month, we’ve dug up moments from history that are often overlooked. Read about a composer’s poisonous encounter with mushrooms, a prominent opera house, and the first stereo!